At Ítoko Media, we publish with purpose and promote with passion. Our publishing department specializes in the management and promotion of audiovisual and musical works created within our production house. From content registration and licensing to strategic distribution and monetization, we offer a comprehensive approach that protects creative rights and enhances the visibility of our projects across multiple platforms.

We connect talent with opportunities. Whether it’s boosting original compositions for film, television, theater, and advertising, or promoting artists through well-structured editorial strategies, our publishing approach aims to generate meaningful partnerships. We believe every work has the potential to find its audience, and we work every day to make that happen.

OF COURSE, OUR EFFORTS BEGIN
WITH OUR OWN IN-HOUSE ARTISTS

At ÍTOKO MEDIA, sound is part of our storytelling. Thanks to the musical vision of our partner Javier Villar Rosa — a versatile musician and leader of the band TAMBORA ZEN — we integrate original music as an essential component of our productions. His tracks, some accompanied by music videos and available on his YouTube channel, enrich our sonic catalog and reflect the creative identity of our team.

Tambora Zen is an innovative world music fusion project, conceived and led by multi-instrumentalist and producer Javier Villar Rosa. The project stands out for its integration of rhythmic and melodic elements from Afro-Caribbean traditions, as well as influences from rock, blues, and jazz, creating a rich and dynamic sonic experience.
Tambora Zen celebrates global musical diversity through a contemporary approach, where experimentation and cultural identity converge in an authentic and transcendent artistic proposal.

ALBUMS

MUSIC VIDEOS

CRISTINA VILLAR ROSA

CREATIVE PRODUCER

Cris is a producer with a Master’s degree in Creative Writing and a background in advertising, acting, and music. She has consolidated her interests and talents through extensive experience in creative production, online production, production management, production supervision, and executive production in various audiovisual projects and markets. She has particular expertise in complex production services and experience as a production fixer in LATAM on behalf of foreign clients.
Among her extensive career, we highlight her recent works: “Club 57, S2” for Nickelodeon, “Suicide Squad 2” directed by James Gunn, “Enzo Ferrari” directed by Michael Mann, and the original Netflix series “Neon” in the USA. These projects were carried out in Colombia, Panama, Puerto Rico, the United States, and Italy.

TODO TIENE SU FINAL

Every Story Has an End

A Polyphonic Novel by Cristina Villar Rosa
 
In Todo tiene su final, Cristina Villar Rosa attempts a radical gesture: portraying a man not through his own voice, but through the fragmented memories of the women who surrounded him. Through a series of fictional monologues, each with its own distinct tone, she constructs a choral novel in which the figure of Alfonso Morales is reconstructed—or deconstructed. He has no direct voice in the text, yet his life, body, mistakes, tenderness, and ruins are narrated by those who loved him, raised him, observed him, or endured him.
The result is a novel composed of autonomous narratives that, carefully arranged, build a temporal flow that goes beyond chronology. Each voice—the mother, the wife, the daughter, the lover, the neighbor, the therapist, the artist, among others—not only illuminates a moment in the protagonist’s life, but also adds layers to the emotional, ethical, and social universe of the work.
In form, Todo tiene su final approaches intimate theater, testimonial literature, and the short story, yet it functions as a unified novel: a narrative kaleidoscope in which the reader reconstructs the central character through the cracks, nostalgia, resentment, or tenderness of these women. It is a work that, without abandoning anecdote, seeks a collective catharsis, sustained by mastery of language and the coherent construction of its fictional universe.
Far from the conventional novel, Villar Rosa offers a text that is also a reflection on how we remember others, how we construct the “masculine other” through desire, disappointment, wounds, or tenderness. And above all, how the voices of women, rising one after another, compose a powerful and uncompromising score.

Cristina Villar Rosa also has an extensive career as a writer and co-writer of content for various audiovisual formats, including film, television, and theater.

Among her most notable titles are:

  1. Sin ruta.
  2. La Sub-30 con mas garra.
  3. Salvando planeta palabra.
  4. La mirada de Sara.
  5. Adolesciencia.
  6. Un Vallentato 9 senderos.